Changes

#Sanyukta Samvaya- conjugation of sense organ with object along with knowledge of its nature and features. The concomitance (samvaya) of object and its attributes can also be determined with this type of sannikarsha. The further knowledge regarding the akruti or morphology of the patient e.g. built of patient i.e. sthulatwa or krishatwa i.e. obese or thin.   

#Sanyukta Samvaya- conjugation of sense organ with object along with knowledge of its nature and features. The concomitance (samvaya) of object and its attributes can also be determined with this type of sannikarsha. The further knowledge regarding the akruti or morphology of the patient e.g. built of patient i.e. sthulatwa or krishatwa i.e. obese or thin.   

#Sanyukta Samveta Samvaya- It is about inherited relationship between the attribute and the object which can be understood with this type of sannikarsha. For instance, the knowledge of colour of any object is testimony of this type of sannikarsha. E.g. The characteristics defining the obese (sthoulya) or lean (karshya) patient i.e. udara-sphika-stanachalana etc.

#Sanyukta Samveta Samvaya- It is about inherited relationship between the attribute and the object which can be understood with this type of sannikarsha. For instance, the knowledge of colour of any object is testimony of this type of sannikarsha. E.g. The characteristics defining the obese (sthoulya) or lean (karshya) patient i.e. udara-sphika-stanachalana etc.

#Samvaya - The relation between sound (shabda) and ear (karna) can be understood with this sannikarsha. This type of conjugation is used to comprehend the relationship between [[akasha mahabhuta]] and shabda guna. The logic behind the sensation of sound is explained by this type of sannikarsha.

#Samvaya - The relation between sound (shabda) and ear (karna) can be understood with this sannikarsha. This type of conjugation is used to comprehend the relationship between [[akasha mahabhuta]] and shabda [[guna]]. The logic behind the sensation of sound is explained by this type of sannikarsha.

#Samveta Samvaya- Here the quality of the sound (shabdaguna) is understood as well. The knowledge about the quality of shabda or shabdatwa can be understood by this type of sannikarsha.  For example, the kshamatwa , karkashatwa of voice is denoted by this type of sannikarsha.

#Samveta Samvaya- Here the quality of the sound (shabda[[guna]]) is understood as well. The knowledge about the quality of shabda or shabdatwa can be understood by this type of sannikarsha.  For example, the kshamatwa , karkashatwa of voice is denoted by this type of sannikarsha.

#Visheshya Visheshana Abhaava- The knowledge of unknown object is made with the help of this sannikarsha. For instance, the void or free space denotes the absence of solid object at that place. For instance, the presence of dhatusamya or arogyalakshana denotes the absence of roga.

#Visheshya Visheshana Abhaava- The knowledge of unknown object is made with the help of this sannikarsha. For instance, the void or free space denotes the absence of solid object at that place. For instance, the presence of dhatusamya or arogyalakshana denotes the absence of roga.