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→Classification of knowledge obtained through pratyaksha
==Classification of knowledge obtained through pratyaksha==
==Classification of knowledge obtained through pratyaksha==
The knowledge obtained through pratyaksha can be full-fledged knowledge of an object with all its attributes (savikalpa) or Primary or non-determinate or non-conceptual perception (nirvikalpa). Savikalpa pratyaksha can again be divided as Direct (laukika) or Indirect (alaukika).<ref>Pratyaksha Pramana: Knowledge Perception Through Sense Organs [Internet]. Easy Ayurveda. 2017 [cited 2021 Nov 30]. Available from: https://www.easyayurveda.com/2017/04/20/pratyaksha-pramana/</ref>
The knowledge obtained through pratyaksha can be full-fledged knowledge of an object with all its attributes (savikalpa) or Primary or non-determinate or non-conceptual perception (nirvikalpa). Savikalpa pratyaksha can again be divided as Direct (laukika) or Indirect (alaukika).<ref name=easy ayurveda>Pratyaksha Pramana: Knowledge Perception Through Sense Organs [Internet]. Easy Ayurveda. 2017 [cited 2021 Nov 30]. Available from: https://www.easyayurveda.com/2017/04/20/pratyaksha-pramana/</ref>
As the [[indriya]] play a key role in obtaining the knowledge in case of pratyaksha pramana acharya Chakrapani has rightfully described the six types of indriya-arthasannikarsha (Conjugation or relation of sense organs and object of knowledge) given as below [Chakrapani on Cha.Sa.[[Sutra Sthana]] 11/20]
As the [[indriya]] play a key role in obtaining the knowledge in case of pratyaksha pramana acharya Chakrapani has rightfully described the six types of indriya-arthasannikarsha (Conjugation or relation of sense organs and object of knowledge) given as below [Chakrapani on Cha.Sa.[[Sutra Sthana]] 11/20]
#Samvaya - The relation between sound (shabda) and ear (karna) can be understood with this sannikarsha. This type of conjugation is used to comprehend the relationship between [[akasha mahabhuta]] and shabda [[guna]]. The logic behind the sensation of sound is explained by this type of sannikarsha.
#Samvaya - The relation between sound (shabda) and ear (karna) can be understood with this sannikarsha. This type of conjugation is used to comprehend the relationship between [[akasha mahabhuta]] and shabda [[guna]]. The logic behind the sensation of sound is explained by this type of sannikarsha.
#Samveta Samvaya- Here the quality of the sound (shabda[[guna]]) is understood as well. The knowledge about the quality of shabda or shabdatwa can be understood by this type of sannikarsha. For example, the kshamatwa , karkashatwa of voice is denoted by this type of sannikarsha.
#Samveta Samvaya- Here the quality of the sound (shabda[[guna]]) is understood as well. The knowledge about the quality of shabda or shabdatwa can be understood by this type of sannikarsha. For example, the kshamatwa , karkashatwa of voice is denoted by this type of sannikarsha.
#Visheshya Visheshana Abhaava- The knowledge of unknown object is made with the help of this sannikarsha. For instance, the void or free space denotes the absence of solid object at that place. For instance, the presence of normalcy in body tissues (dhatusamya) or arogyalakshana denotes the absence of disease ([[roga]]).
#Visheshya Visheshana Abhaava- The knowledge of unknown object is made with the help of this sannikarsha. For instance, the void or free space denotes the absence of solid object at that place. For instance, the presence of normalcy in body tissues (dhatu samya) or arogyalakshana denotes the absence of disease ([[roga]]).
==Process of obtaining knowledge==
==Process of obtaining knowledge==