Rasa: Difference between revisions
| Line 54: | Line 54: | ||
| Taste as perceived by tongue; | | Taste as perceived by tongue; | ||
|- | |- | ||
| Natyashastra (theatrics and dramaturgy), Kavyashastra (science of poetry), Shilpashastra (iconography) | | Natyashastra (theatrics and dramaturgy),<br/>Kavyashastra (science of poetry),<br/>Shilpashastra (iconography) | ||
| “sentiment” or “aesthetic sense” or “emotion”;<br/>rasa is the name given to bhava when it is immediately apprehended by the consciousness without veils.<br/>Shringara(the erotic),<br/>hasya(the comic),<br/>karuṇa (the pathetic),<br/>raudra (the furious),<br/>veera(the heroic),<br/>bhayanaka(the fearful),<br/>bibhatsa(the disgusting),<br/>adbhuta (the wondrous).<br/>shanta(the peaceful) | | “sentiment” or “aesthetic sense” or “emotion”;<br/>rasa is the name given to bhava when it is immediately apprehended by the consciousness without veils.<br/>Shringara(the erotic),<br/>hasya(the comic),<br/>karuṇa (the pathetic),<br/>raudra (the furious),<br/>veera(the heroic),<br/>bhayanaka(the fearful),<br/>bibhatsa(the disgusting),<br/>adbhuta (the wondrous).<br/>shanta(the peaceful) | ||
|- | |- | ||