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→Usage of term “rasa” in different Indian Knowledge systems
| Taste as perceived by tongue;
| Taste as perceived by tongue;
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| Natyashastra (theatrics and dramaturgy), Kavyashastra (science of poetry), Shilpashastra (iconography)
| Natyashastra (theatrics and dramaturgy),<br/>Kavyashastra (science of poetry),<br/>Shilpashastra (iconography)
| “sentiment” or “aesthetic sense” or “emotion”;<br/>rasa is the name given to bhava when it is immediately apprehended by the consciousness without veils.<br/>Shringara(the erotic),<br/>hasya(the comic),<br/>karuṇa (the pathetic),<br/>raudra (the furious),<br/>veera(the heroic),<br/>bhayanaka(the fearful),<br/>bibhatsa(the disgusting),<br/>adbhuta (the wondrous).<br/>shanta(the peaceful)
| “sentiment” or “aesthetic sense” or “emotion”;<br/>rasa is the name given to bhava when it is immediately apprehended by the consciousness without veils.<br/>Shringara(the erotic),<br/>hasya(the comic),<br/>karuṇa (the pathetic),<br/>raudra (the furious),<br/>veera(the heroic),<br/>bhayanaka(the fearful),<br/>bibhatsa(the disgusting),<br/>adbhuta (the wondrous).<br/>shanta(the peaceful)
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